Can you share the significance of your Ghanaian heritage in the “Nana’s Closet” collection; and how do you incorporate West African cultural elements into her designs?

My grandma, Monica, taught me the art of sewing at around 8 years old; and although it may have been a simple skill to her, it became my ultimate source of motivation in embarking on my career. Born in Mampong, Ghana, my grandma continues to be the heart and soul of our family, radiating a contagious energy brimming with self-assurance and gracefulness. Her influence has served as the foundation of my inspiration, driving me to create garments that empower and nurture confidence within.

One of my first designs at sewing bee was again inspired by my Grandmother and the one comment that stood out to me was ‘you’ve bought a bit of Ghana to London’ and that’s essentially what this brand is about. Bringing some flavour to these concrete streets! African style transcends clothing; it embodies culture and life itself. Our in-house-designed prints draw inspiration from the Ankara wax prints I admired in my grandmother’s closet, radiating vivacity. These memories of her wardrobe evoke nostalgia, shaping the colour combinations, textures and overall aesthetic of the brand. They represent family, safety, joy, and colourfulness.

The thing that truly sets these designs apart for me is their unique blend of African silhouettes and London influences, which resonate with my own identity. There’s something about them that effortlessly captures the relaxed African style while still remaining perfectly suitable for my UK wardrobe. For example the incorporation of the ‘bib’ element, is inspired by the traditional dashiki and crafted using recycled laces to symbolise the surplus of fast fashion waste left to pollute West African markets. Meanwhile, the puff sleeve, now a common feature in many British women’s wardrobes, adds a touch of contemporary relevance to the overall design.

Tell us more about the intricate craftsmanship and storytelling behind each garment in the collection; and how you draw from your memories of your grandmother’s closet to create a sense of celebration and joy?

In this new chapter of my career, I have dedicated my platforms to educating, particularly the younger generation, about the processes involved in creating clothing. My primary aim has been to shift the prevailing perception that clothing is disposable. Sewing is an artistry – a craft that transforms a simple piece of cloth into a functional and expressive artwork. It is of supreme significance to me that our garments are crafted with a deep consideration for our planet and the essence of artistry.

As a seamstress, I possess the knowhow to ensure that the clothes we create endure the test of time. I have been uncompromising on insisting durability into our designs – strengthening stitches at stress points, conducting wearer trials for each design, and meticulously inspecting every piece before it leaves our hands. I am entirely confident that we are committed to producing long-lasting garments.

Drawing a connection to my grandmother’s ethos, her resounding mantra, ‘nothing but the best,’ resonates within our brand. Even when sourcing second hand materials, our fabrics are fortified, organic, and inherently beautiful, ensuring that wearing our pieces imbues you with a sense of quality. Our silhouettes celebrate body positivity and femininity, with the hope of inspiring you with the same confidence my grandmother instilled in me.